A couple of weeks ago at Frear Hall, I decided to visit the Tunnel of Oppression. Honestly, I had been expecting to be walking through a dark hall, probably being a bit claustrophobic, with people hidden somewhere trying to intimidate you into recognizing the many facets of oppression. Then after all that darkness, some kind of reassuring thing would happen just because of the “Shine Through Darkness” slogan. All of this definitely did not happen. Perhaps because I went at four p.m. when the sun was still out and shining, the tunnel definitely was not in fact dark–not that it actually needed to be. Instead, one is going through different dorm rooms, separated through different oppressed people, ranging from domestic violence victims to Native Hawaiians, and these rooms are all inundated with information. While the presentation was a bit wordy, it was evident that the artwork had taken some time to complete. The most striking moment in the tunnel simply had to be in the room discussing the issues facing LGBT. As one walks into this dark room, Elton John’s Candle in the Wind is playing in the background–which, really, is ominous enough. Part of the room seems to be blocked off by black strips of paper and as one peers inside this area, they’re facing (what seemed like) a paper mache model of the human body. Except this is a recreation of a human body that had just hung itself, and off I left the room. Sure, it hadn’t been a real body, but there was something about the way in which the whole environment worked with this recreation that had left me feeling uneasy because suicide is never really something easy to think about. I guess in some ways, hidden people did in fact try to intimidate me into facing oppression head-on.